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匯弊慕廓 卦指云慕朕村 厘議慕尺 厘議慕禰 TXT畠云和墮 序秘慕杏 紗秘慕禰

stage-land[1].(玲岬)-及11嫗

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!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��




authority over it�察�and so far it is certainly much to be preferred to the real 

article。    It speaks of its male and female progenitors as ;dear�察�dear papa; 

and   ;dear�察  �dear   mamma�察─  �and   it   refers   to   its   nurse   as   ;darling   nursey。; 

We are connected with a youthful child ourselvesa real onea nephew。 

He alludes to his father ��when his father is not present�� as ;the old man�察─�

and   always   calls   the   nurse   ;old   nut´crackers。;     Why   cannot   they   make 

real children who say ;dear�察�dear mamma; and ;dear�察�dear papa�拭─�

     The stage child is much superior to the live infant in every way。                  The 

stage   child   does   not   go   rampaging   about   a   house   and   screeching   and 



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yelling till nobody knows whether they are on their heads or their heels。 

     A stage child does not get up at five o'clock in the morning to practice 

playing   on   a   penny   whistle。      A   stage   child   never   wants   a   bicycle   and 

drives you mad about it。           A stage child does not ask twenty complicated 

questions a minute about things that you don't understand�察�and then wind 

up   by   asking   why   you   don't   seem   to   know   anything�察  �and   why   wouldn't 

anybody teach you anything when you were a little boy。 

     The stage child does not wear a hole in the seat of its knickerbockers 

and have to have a patch let in。            The stage child comes downstairs on its 

feet。 

     The stage child never brings home six other children to play at horses 

in the front garden�察�and then wants to know if they can all come in to tea。 

The stage child never has the wooping´cough�察�and the measles�察�and every 

other disease   that   it   can   lay  its   hands   on�察 �and   be laid   up   with   them  one 

after the other and turn the house upside down。 

     The stage child's department in the scheme of life is to harrow up its 

mother's feelings by ill´timed and uncalled´for questions about its father。 

It always wants to know�察�before a roomful of people�察�where ;dear papa; is�察�

and why he has left dear mamma�察�when�察�as all the guests know�察�the poor 

man   is   doing   his   two   years'   hard   or   waiting   to   be   hanged。     It   makes 

everybody so uncomfortable。 

     It   is   always   harrowing   up   somebodythe   stage   child�察  �it   really  ought 

not   to   be   left   about   as   it   is。 When   it   has   done   upsetting   its   mother   it 

fishes out   some broken´hearted   maid�察�who   has just been cruelly  severed 

forever   from   her   lover�察  �and   asks   her   in   a   high   falsetto   voice   why   she 

doesn't get married�察�and prattles to her about love�察�and domestic bliss�察�and 

young men�察�and any other subject it can think of particularly calculated to 

lacerate the poor girl's heart until her brain nearly gives way。 

     After   that   it   runs   amuck   up   and   down   the   whole   play   and   makes 

everybody   sit   up   all   round。     It   asks   eminently   respectable   old   maids   if 

they wouldn't like to have a baby�察�and it wants to know why bald´headed 

old men have left off wearing hair�察�and why other old gentlemen have red 

noses and if they were always that color。 

     In   some   plays   it   so   happens   that   the   less   said   about   the   origin   and 



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                                         STAGE´LAND。 



source of the stage child the better�察�and in such cases nothing will appear 

so important to that contrary brat as to know�察�in the middle of an evening´ 

party�察�who its father was� �

     Everybody  loves   the   stage   child。      They  catch   it   up   in   their   bosoms 

every other minute and weep over it。            They take it in turns to do this。 

     Nobodyon the stage�察�we           meanever has enough of the stage child。 

Nobody   ever   tells   the   stage   child   to   ;shut   up;   or   to   ;get   out   of   this。; 

Nobody ever clumps the stage child over the head。 

     When the real child goes to the theater it must notice these things and 

wish it were a stage child。 

     The stage child is much admired by the audience。                  Its pathos makes 

them weep�察�its tragedy thrills them�察�its declamationas for instance when 

it takes the center of the stage and says it will kill the wicked man�察�and the 

police�察�and everybody who hurts its marstirs them like a trumpet note�察�

and its light comedy is generally held to be the most truly humorous thing 

in the whole range of dramatic art。 

     But   there   are   some   people   so   strangely   constituted   that   they   do   not 

appreciate the stage child�察�they do not comprehend its uses�察�they do not 

understand its beauties。        We should not be angry with them。              We should 

the rather pity them。 

     We   ourselves   had   a   friend   once   who   suffered   from   this   misfortune。 

He was a married man�察�and Providence had been very gracious�察�very good 

to   him�此   �he   had   been   blessed   with   eleven   children�察  �and   they   were   all 

growing up well and strong。 

     The ;baby; was eleven weeks old�察�and then came the twins�察�who were 

getting   on   for  fifteen   months   and   were  cutting   their  double   teeth   nicely。 

The youngest girl was three�察�there were five boys aged seven�察�eight�察�nine�察�

ten�察�and twelve respectivelygood enough lads�察�butwell�察�there�察�boys will 

be boys�察�you know�察�we were just the same ourselves when we were young。 

The two eldest were both very pleasant girls�察�as their mother said�察�the only 

pity was that they would quarrel so with each other。 

     We never knew a healthier set of boys and girls。              They were so full of 

energy and dash。 

     Our friend was very much out of sorts one evening when we called on 



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him。    It was holiday´time and wet weather。            He had been at home all day�察�

and so had all the children。        He was telling his wife when we entered the 

room that if the holidays were to last much longer and those twins did not 

hurry up and get their teeth quickly�察�he should have to go away and join 

the County Council。        He could not stand the racket。 

     His wife said she could not see what he had to complain of。                She was 

sure better´hearted children no man could have。 

     Our friend said he didn't care a straw about their hearts。             It was their 

legs and arms and lungs that were driving him crazy。 

     He also said that he would go out with us and get away from it for a bit�察�

or he should go mad。 

     He proposed a theater�察�and we accordingly made our way toward the 

Strand。     Our friend�察�in closing the door behind him�察�said he could not tell 

us what a relief it was to get away from those children。              He said he loved 

children very much indeed�察�but that it was a mistake to have too much of 

anything�察    �however     much    you    liked  it�察 �and   that  he  had   come     to  the 

conclusion that twenty´two hours a day of them was enough for any one。 

     He said he did not want to see another child or hear another child until 

he got home。       He wanted to forget that there were such things as children 

in the world。 

     We got up to the Strand and dropped into the first theater we came to。 

The   curtain   went   up�察  �and   on   the   stage   was   a   small   child   standing   in   its 

nightshirt and screaming for its mother。 

     Our friend looked�察�said one word and bolted�察�and we followed。 

     We went a little further and dropped into another theater。 

     Here   there   were   two   children on   the   stage。  Some   grown´up  pe
卦指朕村 貧匯匈 和匯匈 指欺競何 壘��0�� 家��0��
隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��
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