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     He     says   ;Shure;      and   ;Bedad;      and    in   moments       of   exultation 

;Beghorra。; That is all the Irish he knows。 

     He   is   very   poor�察  �but   scrupulously   honest。    His   great   ambition   is   to 

pay his rent�察�and he is devoted to his landlord。 

     He    is  always    cheerful    and   always    good。     We    never    knew    a  bad 

Irishman   on   the   stage。    Sometimes   a   stage   Irishman   seems   to   be   a   bad 

mansuch as the ;agent; or the ;informer;but in these cases it invariably 

turns   out   in   the   end   that   this   man   was   all   along   a   Scotchman�察  �and   thus 

what had been a mystery becomes clear and explicable。 

     The     stage   Irishman     is  always     doing    the   most    wonderful     things 

imaginable。       We   do   not   see   him   do   those   wonderful   things。    He   does 

them  when   nobody  is   by  and   tells   us   all   about   them  afterward�此     �that   is 

how we know of them。 

     We remember on one occasion�察�when we were young and somewhat 

inexperienced�察�planking our money down and going into a theater solely 

and purposely to see the stage Irishman do the things he was depicted as 

doing on the posters outside。 

     They were really marvelous�察�the things he did on that poster。 

     In the right´hand upper corner he appeared running across country on 

all   fours�察  �with   a   red   herring   sticking   out   from   his   coat´tails�察  �while   far 

behind   came   hounds   and   horsemen   hunting   him。           But   their   chance   of 

ever catching him up was clearly hopeless。 

     To the left he was represented as running away over one of the wildest 

and most rugged bits of landscape we have ever seen with a very big man 

on   his   back。   Six   policemen   stood   scattered   about   a   mile   behind   him。 

They had evidently  been running after   him�察�but   had at last given up   the 

pursuit as useless。 

     In   the   center   of  the   poster   he   was    having    a  friendly    fight  with 

seventeen   ladies   and   gentlemen。       Judging   from   the   costumes�察  �the   affair 

appeared to be a wedding。            A few of the guests had already been killed 

and   lay   dead   about   the   floor。   The   survivors�察  �however�察  �were   enjoying 



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                                        STAGE´LAND。 



themselves immensely�察�and of all that gay group he was the gayest。 

     At the moment chosen by the artist�察�he had just succeeded in cracking 

the bridegroom's skull。 

     ;We must see this�察─�said we to ourselves。             ;This is good。;      And we 

had a bob's worth。 

     But he did not do any of the things that we have mentioned�察�after all 

at least�察�we mean we did not see him do any of them。                   It seems he did 

them ;off�察─�and then came on and told his mother all about it afterward。 

     He   told   it   very   well�察  �but   somehow   or   other   we   were   disappointed。 

We had so reckoned on that fight。 

     By the bye�察�we have noticed�察�even among the characters of real life�察�a 

tendency to perform most of their wonderful feats ;off。; 

     It   has   been   our   privilege   since   then   to   gaze   upon   many   posters   on 

which have been delineated strange and moving stage events。 

     We have seen the hero holding the villain up high above his head�察�and 

throwing him about that carelessly that we have felt afraid he would break 

something with him。 

     We have seen a heroine leaping from the roof of a house on one side of 

the street   and   being caught   by  the   comic   man   standing   on   the   roof of   a 

house on the other side of the street and thinking nothing of it。 

     We have seen railway trains rushing into each other at the rate of sixty 

miles an hour。      We have seen houses blown up by dynamite two hundred 

feet   into   the   air。 We   have   seen   the   defeat   of   the   Spanish Armada�察  �the 

destruction of Pompeii�察�and the return of the British army from Egypt in 

one ;set; each。 

     Such incidents as earthquakes�察 �wrecks in mid´ocean�察�revolutions   and 

battles we take no note of�察�they being commonplace and ordinary。 

     But we do not go inside to see these things now。              We have two looks 

at the poster instead�察�it is more satisfying。 

     The Irishman�察�to return to our friend�察�is very fond of whiskythe stage 

Irishman�察�we mean。         Whisky is forever in his thoughtsand often in other 

places belonging to him�察�besides。 

     The fashion in dress among stage Irishmen is rather picturesque than 

neat。    Tailors must have a hard time of it in stage Ireland。 



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                                        STAGE´LAND。 



     The   stage   Irishman   has   also   an   original   taste   in   hats。 He   always 

wears a hat without a crown�察�whether to keep his head cool or with any 

political significance we cannot say。 



                                              51 


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                                         STAGE´LAND。 



                         THE DETECTIVE。 



     Ah�   �he   is   a   cute   one�察  �he   is。 Possibly   in   real   life   he   would   not   be 

deemed anything extraordinary�察�but by contrast with the average of stage 

men     and   women�察     �any   one   who    is  not   a  born   fool   naturally   appears 

somewhat Machiavellian。 

     He is   the only  man in   the  play who   does not swallow all the  villain 

tells him and believe it�察�and come up with his mouth open for more。 He is 

the only man who can see through the disguise of an overcoat and a new 

hat。 

     There   is   something      very   wonderful   about     the   disguising   power     of 

cloaks and hats upon the stage。           This comes from the habit people on the 

stage have of recognizing their friends�察�not by their faces and voices�察�but 

by their cloaks and hats。 

     A  married   man   on   the   stage   knows   his   wife�察  �because   he   knows   she 

wears   a   blue   ulster   and   a   red   bonnet。 The   moment   she   leaves   off   that 

blue ulster and red bonnet he is lost and does not know where she is。 

     She puts on a yellow cloak and a green hat�察�and coming in at another 

door says she is a lady from the country�察�and does he want a housekeeper�拭�

     Having lost his beloved wife�察�and feeling that there is no one now to 

keep   the   children   quiet�察  �he   engages   her。   She   puzzles   him   a   good   deal�察�

this   new    housekeeper。       There     is  something      about   her   that  strangely 

reminds him of his darling Nellmaybe her boots and dress�察�which she has 

not had time to change。 

     Sadly   the   slow   acts   pass   away   until   one   day�察  �as   it   is   getting   near 

closing´time�察  �she   puts   on   the   blue   ulster   and   the   red   bonnet   again   and 

comes in at the old original door。 

     Then he recognizes her and asks her where she has been all these cruel 

years。 

     Even the bad people�察�who as a rule do possess a little senseindeed�察�

they    are   the  only   persons     in  the  play   who    ever   pretend    to   anyare 

deceived by singularly thin disguises。 

     The   detective   comes   in   to   their   secret   councils�察  �with   his   hat   drawn 



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                                           STAGE´LAND。 



down over his eyes�察�and followed by the hero speaking in a squeaky voice�察�

and the villains mistake them for members of the band and tell them all 

their plans。 

     If   the   villains   can't   get   themselves   found   out   that   way�察  �then   they   go 

into a public tea´garden and recount their crimes to one another in a loud 

tone of voice。 

     The
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